Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Circle of Mateo Cerezo the Younger
Immaculate Virgin

ID: 92279

Circle of Mateo Cerezo the Younger Immaculate Virgin
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Circle of Mateo Cerezo the Younger Immaculate Virgin


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Circle of Mateo Cerezo the Younger

painted Immaculate Virgin, formerly in the Chapel of Palacio de Penaranda, Spain in 17th century   Related Paintings of Circle of Mateo Cerezo the Younger :. | Concert | Adonis Parting from Venus s | Artist s House at Argenteuil gggg | Footbridge at Argenteuil, | Hastings:Deep-sea fishing (mk31) |
Related Artists:
threshing wheat
early sixteenth century. paris. muse'e des arts de'coratifs
Elliott Charles Loring
born in Scipio, New York, in December 1812; died in Albany, NY., 25 Sept., 1868. died in Albany, NY., 25 Sept., 1868., American painter. Resolved to become an artist, he moved from Syracuse, NY, to New York City around 1830, bearing a letter of introduction to John Trumbull and reportedly receiving some brief instruction from him. Elliott spent six months in the studio of the genre painter John Quidor but returned to upstate New York, where he worked for several years as an itinerant portrait painter. Back in New York City by 1839, his art steadily improved; Henry Inman met him around 1844-5, whereupon he predicted: 'When I am gone that young man will take my place'. Elliott's portrait of Capt. John Ericsson (c. 1845; untraced) won praise in 1845 as 'the best American portrait since [Gilbert] Stuart', and from that date he was acknowledged as New York's leading portrait painter. His facility for capturing a vivid, characteristic likeness and his genial personality assured a constant stream of private patrons and public commissions. In 1867 it was reported that he had executed nearly 700 portraits.
William Turner
English Romantic Painter, 1775-1851 British painter and printmaker. He dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, first as a topographical watercolourist and then within a few years as a painter of Sublime and historical landscapes.






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